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Collection

Object No. 48.24

Cusped-Rim Polychrome Ceramic Dish with Floral and Saz Leaf Motifs

Like many sixteenth-century Iznik dishes, this one is characterized by the naturalistic depiction of flowers (carnations, tulips), and a palette of green, blue, and red. The latter color is an iron-rich slip created from Armenian red bole and is thickly applied. The rim of the plate features a wave and rock pattern that demonstrates the influence of Chinese art (especially of earlier and contemporary Ming porcelains) on Iznik production.

Origin
Turkey (Iznik)
Date
16th century
Culture
Ottoman
Medium
Stonepaste, underglaze-painted
Credit Line
Courtesy of the Doris Duke Foundation for Islamic Art

Object No. 54.79

Silver-Inlaid Betel Box with Scroll Motifs

The silver-inlaid scroll designs seen on this betel box are commonly found on both wood and metal in the predominantly Muslim regions of Mindanao in the highlands of the southern Philippines. The motif, notable for its symmetry, is repeated in the interior of the box on the four compartments that housed the four ingredients of betel chew (areca nut, fresh pepper leaves, lime powder, and damp tobacco leaves.)

Culture
Philippines (Mindanao)
Date
19th-20th century
Medium
Copper alloy, silver
Credit Line
Courtesy of the Doris Duke Foundation for Islamic Art

Object No. 44.43a-b

Diamond-Inset Enamelled Gold Sarpech (Turban Ornament) with Parrot and Cascading Ruby Grape Cluster

Culture
India (Jaipur)
Date
19th Century
Medium
Enameled gold, diamonds, rubies
Credit Line
Courtesy of the Doris Duke Foundation for Islamic Art

Object No. 11.25

Folio from the Qur'an in Kufic Script: Sutra 9, "Repentance" (al-Tauba), verse 31-32

This folio (individual page) was once part of a complete Qur’anic manuscript, sized for personal devotions rather than public prayer. The verses are written in black ink, with red ink marking the diacritics for the short vowels not indicated by letters in Arabic. The verses censure those who venerate religious leaders above God.

Culture
Syria
Date
10th century
Period
Abbasid
Medium
Ink, pigment, vellum
Credit Line
Courtesy of the Doris Duke Foundation for Islamic Art

Object No. 57.57

Carved Hexagonal Emerald Brooch with Enamelled (Kundun) Bird and Floral Ornamentation on Reverse

During the reign of the Mughal dynasty in India (1526-1857), large precious stones were highly coveted at court and were frequently given as gifts to secure favors and loyalty. Emeralds, probably mined in Colombia, were brought by traders to India, where they often were embellished with floral designs in low relief. The shape of the emerald at the center of this pendant was determined by its crystallography, which is naturally hexagonal. The later setting was custom-made to complement the emerald's six-sided shape.

Culture
India
Date
18th-19th Century
Period
Mughal
Medium
Enameled gold, emeralds, diamonds, pearls
Credit Line
Courtesy of the Doris Duke Foundation for Islamic Art

Object No. 47.85

Painted and Gilded Glass Unguent Bowl

This painted and gilded blown-glass, hemispherical bowl would have been used to mix unguents, such as perfumed lotions or oils. Later in the Mamluk period, such glass vessels were more commonly enamelled rather than painted and gilded. The exterior of this gilded glass bowl is inscribed with standard Mamluk titulature: "The sultan, the possessor, the … and guardian of the world and the religion, killer of infidels and polytheists, the sultan …"

Culture
Egypt
Date
14th century
Period
Mamluk
Medium
Glass, gilded
Credit Line
Courtesy of the Doris Duke Foundation for Islamic Art

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