
Collection
Object No. 48.24
Cusped-Rim Polychrome Ceramic Dish with Floral and Saz Leaf Motifs
Like many sixteenth-century Iznik dishes, this one is characterized by the naturalistic depiction of flowers (carnations, tulips), and a palette of green, blue, and red. The latter color is an iron-rich slip created from Armenian red bole and is thickly applied. The rim of the plate features a wave and rock pattern that demonstrates the influence of Chinese art (especially of earlier and contemporary Ming porcelains) on Iznik production.
- Origin
- Turkey (Iznik)
- Date
- 16th century
- Culture
- Ottoman
- Medium
- Stonepaste, underglaze-painted
- Credit Line
- Courtesy of the Doris Duke Foundation for Islamic Art
Object No. 54.79
Silver-Inlaid Betel Box with Scroll Motifs
The silver-inlaid scroll designs seen on this betel box are commonly found on both wood and metal in the predominantly Muslim regions of Mindanao in the highlands of the southern Philippines. The motif, notable for its symmetry, is repeated in the interior of the box on the four compartments that housed the four ingredients of betel chew (areca nut, fresh pepper leaves, lime powder, and damp tobacco leaves.)
- Culture
- Philippines (Mindanao)
- Date
- 19th-20th century
- Medium
- Copper alloy, silver
- Credit Line
- Courtesy of the Doris Duke Foundation for Islamic Art
Object No. 44.43a-b
Diamond-Inset Enamelled Gold Sarpech (Turban Ornament) with Parrot and Cascading Ruby Grape Cluster
- Culture
- India (Jaipur)
- Date
- 19th Century
- Medium
- Enameled gold, diamonds, rubies
- Credit Line
- Courtesy of the Doris Duke Foundation for Islamic Art
Object No. 11.25
Folio from the Qur'an in Kufic Script: Sutra 9, "Repentance" (al-Tauba), verse 31-32
This folio (individual page) was once part of a complete Qur’anic manuscript, sized for personal devotions rather than public prayer. The verses are written in black ink, with red ink marking the diacritics for the short vowels not indicated by letters in Arabic. The verses censure those who venerate religious leaders above God.
- Culture
- Syria
- Date
- 10th century
- Period
- Abbasid
- Medium
- Ink, pigment, vellum
- Credit Line
- Courtesy of the Doris Duke Foundation for Islamic Art
Object No. 57.57
Carved Hexagonal Emerald Brooch with Enamelled (Kundun) Bird and Floral Ornamentation on Reverse
During the reign of the Mughal dynasty in India (1526-1857), large precious stones were highly coveted at court and were frequently given as gifts to secure favors and loyalty. Emeralds, probably mined in Colombia, were brought by traders to India, where they often were embellished with floral designs in low relief. The shape of the emerald at the center of this pendant was determined by its crystallography, which is naturally hexagonal. The later setting was custom-made to complement the emerald's six-sided shape.
- Culture
- India
- Date
- 18th-19th Century
- Period
- Mughal
- Medium
- Enameled gold, emeralds, diamonds, pearls
- Credit Line
- Courtesy of the Doris Duke Foundation for Islamic Art
Object No. 47.85
Painted and Gilded Glass Unguent Bowl
This painted and gilded blown-glass, hemispherical bowl would have been used to mix unguents, such as perfumed lotions or oils. Later in the Mamluk period, such glass vessels were more commonly enamelled rather than painted and gilded. The exterior of this gilded glass bowl is inscribed with standard Mamluk titulature: "The sultan, the possessor, the … and guardian of the world and the religion, killer of infidels and polytheists, the sultan …"
- Culture
- Egypt
- Date
- 14th century
- Period
- Mamluk
- Medium
- Glass, gilded
- Credit Line
- Courtesy of the Doris Duke Foundation for Islamic Art